The Wasteland Reviewer

Conclave (2024) Written Review

Are you ready for a different kind of election for this election season? They might not feel like politicians at first glance but when a seat of power shows itself, there will be those who will play the game to gain the upper hand. This is not just true for countries; this is also true for religious leaders as well. One of the most significant elections that can possibly happen is for the Papal leader, the Pope. This process involves many religious leaders who want to vie for such an important and significant position of power, authority, and importance. Edward Berger left the trenches of World War I with All Quiet on the Western Front and now finds himself with his Papal thriller Conclave. 

What was All Quiet on the Western Front most praised for? The technical aspect. That is certainly true of Conclave as well. Berger has a great cinematic eye for creating tension and evocative imagery that elevates the material it is presenting. There are some jaws dropping moments including an unexpected explosion that is presented with such scale and precision that it pops on screen. In collaboration with cinematographer Stephane Fontaine, Berger can manipulate the audience with dynamic camera movement and blocking. A lot of emotion is conveyed through close-ups and fixed shots because Berger is so confident in his actors’ abilities to sell the scenes. There are few films that look as gorgeous as Conclave and that goes a long way in creating such an engrossing cinematic experience. The score from Volker Bertelmann is one of the most memorable and poignant. Each scene where these powerful pieces of music appear just elevates the material and heightens the emotions of it all. The pacing of the film can be a bit methodical, but the tension and suspense is expertly crafted by Berger and company. 

What about the material elevated by Berger’s craftsmanship? This is a story about religious politics and the evolution of Catholic doctrine. Ralph Fiennes is Cardinal Lawrence who is chosen to lead the Concave and choose the next pope. This is when the politics arise, tension builds, and seedy tactics begin to undermine such a significant moment in the history of the Catholic Church. Each of the players in this competition represents a different facet of modern Catholicism. The more liberal and progressive branch. The zealots who do not believe in any type of advancement or acceptance where “traditions” are key to success. There are politicians who do not really see faith beyond influence. There are layers of racism, sexism, and bigotry against other underrepresented groups. This whirlwind of themes and ideas come to an unexpected climax that will reframe the events of the whole film. There are constant streams of new dramatic elements and conflicts. The general concept of this film is the perfect foundation for plenty of cinematic tension and drama. 

What is the key to selling all these conflicts and dynamics? A strong cast. Fiennes is delivering an awards worthy leading turn that combines strength, tenderness, and vulnerability. Lawrence is a true man of faith who must navigate a minefield of snakes and Fiennes is able to sell this struggle in every scene. When challenged by all types of trials, Fiennes can bring authenticity to each moment. Berger assembled quite an impressive supporting cast around Fiennes including some big names and other international talents. The likes of Stanley Tucci and John Lithgow deliver in the ways you would expect (excellence). Isabella Rossellini gets a great spotlight to shine in; reminding everyone why she is one of the most talented actors of her generation. There are plenty of talented actors sprinkled elsewhere including the aggressive and arrogant Cardinal Tedesco portrayed expertly by Sergio Castellitto. This is one of the strongest film ensembles of the year with multiple supporting cast members who would deserve some of that award’s consideration as well. 

Does Berger have another award’s darling on his hands? Conclave is a truly masterfully made thriller that has so many thematic layers as well. You don’t find such impressively balanced films too often. Fiennes might be coming for his second Oscar and some of his co stars might be coming for those awards as well. But it is the engaging exploration of the evolving Catholic doctrines that makes this film feel so poignant and relevant. Berger has solidified himself as a filmmaker to watch and Conclave will be a film to watch out for this award’s season.